Author: Deats, Sara Munson; Starks, Lisa S.
Title: So neatly plotted, and so well perform'd: Villain as Playwright in Marlowe's "The Jew of Malta"
Journal: Theatre Journal
Year: 1992
Volume: 44
Number: 3
Pages: 375–386
DOI: http://dx.doi.org/10.2307/3208554
Deats, Sara Munson, and Lisa S. Starks. "So neatly plotted, and so well perform’d": Villain as Playwright in Marlowe’s "The Jew of Malta." Theatre Journal, vol. 44, no. 3, 1992, pp. 375–86.
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Deats, Sara Munson. The Performance History. The Jew of Malta: A Critical Reader, edited by Robert A. Logan, Bloomsbury, 2013, pp. 27–52.
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Author: Dessen, Alan C.
Title: The Elizabethan Stage Jew and Christian Example: Gerontus, Barabas, and Shylock
Journal: Modern Language Quarterly
Year: 1974
Volume: 35
Number: 3
Pages: 231–245
DOI: http://dx.doi.org/10.1215/00267929-35-3-231
Dessen, Alan C. The Elizabethan Stage Jew and Christian Example: Gerontus, Barabas, and Shylock. Modern Language Quarterly, vol. 35, no. 3, 1974, pp. 231–45.
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Author: Diehl, Huston
Title: Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy
Journal: Studies in English Literature 1500-1900
Year: 1982
Volume: 22
Number: 2
Pages: 197–209
DOI: http://dx.doi.org/10.2307/450335
Diehl, Huston. Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy. Studies in English Literature 1500-1900, vol. 22, no. 2, 1982, pp. 197–209.
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Author: Distiller, Natasha
Title: What signifies my deadly-standing eye: The Politics of Difference on the Elizabethan Stage
Journal: Shakespeare in Southern Africa
Year: 2002
Volume: 14
Pages: 11–14
Link: https://marlowe.at/3
Distiller, Natasha. "What signifies my deadly-standing eye": The Politics of Difference on the Elizabethan Stage. Shakespeare in Southern Africa, vol. 14, 2002, pp. 11–14.
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Author: Dutton, Richard
Title: Thomas Heywood and the Publishing of The Jew of Malta
Book: Christopher Marlowe, theatrical commerce, and the book trade
Editor: Melnikoff, Kirk; Knutson, Roslyn Lander
Year: 2018
Pages: 182–194
City: Cambridge
Publisher: Cambridge University Press
ISBN: 9781107566170
Dutton, Richard. Thomas Heywood and the Publishing of The Jew of Malta. Christopher Marlowe, theatrical commerce, and the book trade, edited by Kirk Melnikoff and Roslyn Lander Knutson, Cambridge University Press, 2018, pp. 182–94.
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Author: Duxfield, Andrew
Title: The Uses of Unity: Individual and Multitude in The Jew of Malta
Journal: Marlowe Studies
Year: 2013
Volume: 3
Pages: 63–81
Duxfield, Andrew. The Uses of Unity: Individual and Multitude in The Jew of Malta. Marlowe Studies, vol. 3, 2013, pp. 63–81.
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Author: Duxfield, Andrew
Title: The State of the Art: Current Critical Research
Book: The Jew of Malta
Editor: Logan, Robert A.
Year: 2013
Pages: 53–78
City: London
Publisher: Bloomsbury
DOI: http://dx.doi.org/10.5040/9781408191552.ch-003
Duxfield, Andrew. The State of the Art: Current Critical Research. The Jew of Malta: A Critical Reader, edited by Robert A. Logan, Bloomsbury, 2013, pp. 53–78.
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Author: Duxfield, Andrew
Title: Christopher Marlowe and the Failure to Unify
Series: Studies in Performance and Early Modern Drama
Year: 2015
City: Farnam
Publisher: Ashgate
ISBN: 9781472439512
Duxfield, Andrew, 2161. Christopher Marlowe and the Failure to Unify, Ashgate, 2015. Studies in Performance and Early Modern Drama.
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Author: Elaskary, Mohamed
Title: Jews and Muslims in Marlowe's The Jew of Malta and Shakespeare's Othello
Journal: Arabic Language & Literature
Year: 2014
Volume: 18
Number: 2
Pages: 131–159
DOI: http://dx.doi.org/10.18630/kaall.2014.18.2.006
Elaskary, Mohamed. Jews and Muslims in Marlowe’s The Jew of Malta and Shakespeare’s Othello. Arabic Language & Literature, vol. 18, no. 2, 2014, pp. 131–59.
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